Wednesday 16 March 2016

GUEST ARTIST – LUCY SUGGATE

BY CHARLOTTES


Last week at Next Choreography, we had the pleasure of inviting choreographer and dance artist, Lucy Suggate to join us. Amongst her varied free-lance work, Lucy is the dance artist working with Siobhan Davies Dance on the Dancing in Museums project so it was great to have her with us to share some glimpses of her own solo practice.
I particularly love inviting guest artists in to our sessions at Next Choreography because it gives me the rare opportunity to both join in myself with the responsibility of leading the session, and allows me to observe the group working from more of a distance. Last week I witnessed everyone dancing with an impressive combination of abandon and concentration. I felt quietly proud.
A few thoughts from Lucy that have stayed with me:
How does material meet with space?
How can we attend to many things at once?
How might we notate/make a score for what we do?
Lucy will be with us again in a month, I look forward to seeing what might develop from that time together.

Tuesday 1 March 2016

VERTICAL BY LE PATIN LIBRE

BY LAUREN WAGLAND


Watching Le Patin Libre perform was an incredible experience one much like encountering a flock of birds glide into the the freedom of the sky. The 5 performers each bringing an individual presence when entering the clean slate of ice, seeming to act as one moving effortlessly around the ice like a pendulum clock arms swinging from side to side with refined seamless speed.
Filling the surface with patterns and designs, bringing an aspects of playing or competing with the audience each one reacting off each other inviting the audience to feel included. Introducing themselves though their skating, individually showing there character and style. Even though the ice and weather was cold they keep your full attention, eyes dazed at the swiftness of their performance so much that it makes you want to watch it all over again.
There are some humorous parts, bits wear you are filled with nervous tension as they leap, turn and dance across the ice. By the end of the piece the once clean slate of ice now consists of many configurations and trails, sliced, slashed segments of ice. The blue and pink lights enhance the amazing surrounding architecture of Somerset House contrasting with the white, grey and yellow of the costumes. The lighting making the piece sometimes unreal, bold, dark, cold faced figures advancing towards you then a delicate skater drifting across the surface of the ice. The sounds created by the skates cutting and slicing though the ice creating percussion as well as movement and the patterns curved into the ice each aspect brought something to an inspiration for performance.
The performance length was just right, suiting the weather perfectly on the day I happened to watch it. However the only criticism I might have for future performances is the length, which I think should be extended or stretch out when being performed in inside spaces or warmer temperatures. Apart from this there is nothing I disliked about the performance and I would highly recommend it to anyone. From watching the Vertical it gave me a completely different idea of how two art forms can be made into one seamless piece not even that the ice – skating and dancing came out at different parts but they seemed to combine the two so well that it created a new art form. What also interested me and inspired me was the use of personality that came though with in the performance from each artist. How they portrayed themselves though out the dance is something that I really want to look into and bring into my work a so feel it brings the audience so much closer to the piece and leaves them feeling like they actually know who was on the stage not just a butch of artists performing a piece to entertain an audience.